"Tam took to the stage with breathtaking expression...[He] displayed a uniquely sensitive and heart wrenching interpretation of Chopin's 1st concerto. Especially striking during the second movement, Tam's phrasing evoked a tender fragility that lingered in the theater even with the swell of the orchestra behind him. Tam's artistry in no way overshadowed his technique during this notably difficult concerto-he presented strength and articulation in the intricate fast passages of the third movement until the concerto's robust conclusion." --The Harvard Crimson
"Tam played with exquisite subtlety and sensitivity. He joined the orchestra with passion and pride, bringing a sense of liveliness yet also of nobility. In contrast to that of the first movement, Tam’s rendition of the emotionally charged second movement was especially tender and expressive. He touched the ivory keyboard with the soft-spoken delicacy. The end of every phrase seemed to linger on, creating a fragile aura surrounding the pianist. Tam transformed the piece into a language of his own, leaving his individual stamp on every bar...am’s poetic and heartfelt performance kept the audiences at the edge of their seats."--The Harvard Art Review
"His performances were...remarkable for their voluptuous sound and perfection." --Rochester Democrat and Chronicle
“Tam had a big, lyrical sound… [revealing] a big technique that was equal to the challenges of Chopin’s fiendishly difficult Ballade No.4.”
--Rochester Democrat and Chronicle
“He effortlessly dispatched the staggeringly difficult Piano Concerto No.2…by Serge Prokofiev. Aside from his dazzling technique, his maturity of interpretation belies his tender years…I would predict a successful concertizing career for him.”
--Oakland Tribune
“This was the kind of music you hope will never end…sensitivity of touch, allied to perfect synchronization of the hands and accuracy and delicacy of the octaves. There were some delicious throwaway high endings to phrases, and electrifying running triplets like a current running through the keys. The brilliance was impressively controlled and expressive.” --Peninsula Reviews
“He has the intensity that all serious pianists seem to have, immersed in a private world, channeling his understanding of the music through the instrument so that the audience can hear what he’s hearing…The keys receive a touch so precise that even the loud notes sound as though they are caressed. When Kenric puts his hands to the keys of a piano, he steps into a different state of mind, with…assuredness, focus, and maturity.”
--Palo Alto Weekly
“His modest demeanor—precocious and unassuming—belies a long resume of awards…‘He has the rare ability to hold a piece, however densely textured, unified and clear—and yet he seems to channel the music through his own psyche,’ McCarthy said. ‘He’s quite extraordinary.’” --Los Altos Town Crier
"Tam played with exquisite subtlety and sensitivity. He joined the orchestra with passion and pride, bringing a sense of liveliness yet also of nobility. In contrast to that of the first movement, Tam’s rendition of the emotionally charged second movement was especially tender and expressive. He touched the ivory keyboard with the soft-spoken delicacy. The end of every phrase seemed to linger on, creating a fragile aura surrounding the pianist. Tam transformed the piece into a language of his own, leaving his individual stamp on every bar...am’s poetic and heartfelt performance kept the audiences at the edge of their seats."--The Harvard Art Review
"His performances were...remarkable for their voluptuous sound and perfection." --Rochester Democrat and Chronicle
“Tam had a big, lyrical sound… [revealing] a big technique that was equal to the challenges of Chopin’s fiendishly difficult Ballade No.4.”
--Rochester Democrat and Chronicle
“He effortlessly dispatched the staggeringly difficult Piano Concerto No.2…by Serge Prokofiev. Aside from his dazzling technique, his maturity of interpretation belies his tender years…I would predict a successful concertizing career for him.”
--Oakland Tribune
“This was the kind of music you hope will never end…sensitivity of touch, allied to perfect synchronization of the hands and accuracy and delicacy of the octaves. There were some delicious throwaway high endings to phrases, and electrifying running triplets like a current running through the keys. The brilliance was impressively controlled and expressive.” --Peninsula Reviews
“He has the intensity that all serious pianists seem to have, immersed in a private world, channeling his understanding of the music through the instrument so that the audience can hear what he’s hearing…The keys receive a touch so precise that even the loud notes sound as though they are caressed. When Kenric puts his hands to the keys of a piano, he steps into a different state of mind, with…assuredness, focus, and maturity.”
--Palo Alto Weekly
“His modest demeanor—precocious and unassuming—belies a long resume of awards…‘He has the rare ability to hold a piece, however densely textured, unified and clear—and yet he seems to channel the music through his own psyche,’ McCarthy said. ‘He’s quite extraordinary.’” --Los Altos Town Crier